Do I have a valuable book?

Is my book rare or collectible? 

How do I sell my book? 

Do you want to buy my book? 

What is my book worth? 

How much will you pay me? 

Since we’re booksellers, we’ve been asked all of these questions. Many times. Because a tremendous number of factors are involved, the only universally applicable answer is “It depends…” Nonetheless, it seems long past time to write a bit about what makes books precious.

I say “precious” to acknowledge the curious passions and peculiarities that inform book collecting. Old does not necessarily mean valuable. I might have a 400+ year-old Latin treatise on Roman law that takes years to sell and fetches only a few hundred dollars. Or I may have a first edition of Harry Potter and the Philosopher’s Stone that’s less than half my own age and yet will sell quickly and fetch enough to buy a car. A really, really expensive car. The kind of car you’d be afraid to park at the grocery store.

So is value a matter of scarcity? No, not necessarily. We’ve sold items of which only a handful of copies are known for 10x less than items of which there are more than 1000x as many surviving copies. Is that confusing? Tell me about it. But I’ve got to get us past some of the “It depends”. So here goes.


Have you ever bought a diamond? I did. Only once, thankfully. I remember trying to study up in advance for my parley with various diamond merchants. As a layman, it all came down to three big, overarching factors – cut, color, and clarity. Granted, there were a daunting number of additional factors, but the big three helped me orient to the market.

The good news is that there’s a similar big three for books. Generally speaking – albeit with a significant number of exceptions – the factors in determining a book’s value are:




Of course, there are a legion of devils in the details. Let’s tackle a few.  


“First edition” is the holy grail for most collectors. Behind that collecting goal and simple definition is a simple wish – to have a copy of the author’s work as it first appeared, by itself, between its own covers (i.e. not serialized in a magazine, etc.). But “First edition” is a far more complicated label than it seems.


Technically speaking, an edition is all copies of a book printed from the same setting of type. Later editions begin only when there are substantial changes made to the text or a new publisher takes over. But there can be many printings (also called “impressions”) of a first edition. 

Here’s one of many scenarios. Winston’s Churchill’s only work of pure autobiography – My Early Life – was first published in October 1930. That was the first printing of the first edition. But pre-publication demand was so strong for the book that a second printing was ordered by the publisher before the first printing was even published. The book sold well, so the publisher kept cranking them out; there were ultimately six printings of this first edition spanning a decade between October 1930 and December 1940. All of these are legitimately first editions. But it is likely the first edition, first printing that you really want – and probably what you really mean when you say “First edition”.


Just in case that’s not complicated enough, one first printing can be more first than another. Yeah. There can be different “states” of a first edition. Let’s say the printer notices a small error – like a punctuation mark or a page number or a missing book title in a list of other works by the author – and corrects this error during a print run. Or let’s say the publisher used a certain texture of cloth to bind part of the first printing but then ran out or changed their mind and started using a different cloth. Or let’s say they altered the layout of the title on the front cover during a print run. Then whatever came first becomes the first state of the first printing of the first edition. Whichever is more first is more desirable and valuable.

For Churchill’s My Early Life, there is a first state of the first printing of the first edition, identified by a minor text omission in the prelims corrected during the first printing. 

There are also multiple binding states, because for the first printing the publisher used two different textures of binding cloth and stamped the title on the front cover in two different layouts.

Confused? Wait, there’s more!

Back to that Churchill book. As byzantine as it sounds, we have two factors going for us. First, the publisher at least did us the courtesy of denoting “Second Impression”, “Third Impression” and so forth on the copyright pages of subsequent printings. Second, someone went through the trouble of writing an extensive bibliography about Churchill’s published works, which enumerates what we call “issue points” of each printing and the various states thereof.


It’s often not easy. Publishers differ vastly in how – or even whether – they denote first editions and various printings. Some make it easy for us, printing “first edition” or even “first printing” right there on the copyright page. Some are a little less clear but still decipherable, using a number code to denote various printings of the first edition. Some publishers use more arcane methods with no easy or universal way to distinguish between editions and printings. 

It can get worse. Publisher’s make mistakes, sometimes conflating the terms “edition”, “printing”, and “impression”, so that even when you see the actual words “edition” and “printing” and “impression” right there in black and white on a copyright page, you cannot necessarily trust their accuracy. Yes, sometimes the publisher is wrong. Then it is up to professional booksellers, expert collectors, and bibliographers to sort out the actual publishing history. Moreover, sometimes an individual publisher will change how they designate editions and printings, so even if you know what method the particular publisher used to denote publishing history, you must also know when they used that particular method. Denotation methods among publishers have changed and will continue to change over decades and centuries.


If you’ve ever shopped for a house, you’ve probably heard a real estate agent say “Location Location Location.” Condition Condition Condition is the rough equivalent for collectors and booksellers.

First, we need to acknowledge the underlying madness – or, to be kinder, the deep irony – of book collecting. Books are inherently perishable objects created to be consumed. As we’ve written before, books are a tenuous combination of perishable materials and discordant chemistry – paper and glue and string and cloth, material animal, vegetable, synthetic, or all of the above, all of which conspire to decohere almost from the moment they’re bound together. 

Under most circumstances, people are supposed to help books decohere. By fulfilling a book’s purpose – actually reading it – you accelerate the inevitable deterioration. Every time you merely open a book, you kill it just a little, letting in a little moisture or dust or finger oil, stressing the binding, pulling the head of the spine, creasing page corners… And that’s how it should be. If books have a single purpose, it is to encapsulate and convey the distilled perspective of another consciousness, and in so doing to be read and read until they’re wrecked.

But that’s not what most collectors want. They want the precious few books that did not suffer the depredations of actually being read. The more unblemished the better. Better still, unread.

I know. I know. But it does make a certain sort of sense in context. If the whole point of a first edition is a sort of communion with the very first time the words were printed and bound together, then it makes sense that there would likewise be a desire to feel like this book has been waiting, in a patient state of special preservation, for you.

Accepting this particular sort of madness for what it is allows you to understand (1) that condition is paramount and (2) that small gradations in condition can translate to considerable differences in value.

In general, for a collectible first edition to be of maximum value, it needs to be in excellent condition, as close to original as possible. If there was originally a dust jacket and that jacket is missing, that can make a stupefying difference in price. Spotting or soiling or some previous owner’s name written inside are all strikes against value. If the book or dust jacket has been repaired – even if it has been repaired professionally – that’s likely a significant mark against it, too.

Think of it this way – most of us would prefer a new car to a used car. Even though we are going to drive it ourselves. Even though the purpose of a car is to be used. Even though the age and mileage we put on a car will incrementally, inevitably ruin it. We still want it all shiny and low mileage if we can get it. And if we are considering a used car, we don’t consider dents and dings and seat stains from previous owners as desirable selling points. As for repairs… once a car has been in a serious accident and then salvaged with repairs, its title is legally changed and all future sellers must disclose that it’s been salvaged. Most people don’t want a salvage-titled car and those willing to buy one expect to pay a whole lot less for it. Much the same is true of books.


Booksellers use a gradation of terms to describe the condition of a book. These grades generally include, in descending order, as new, fine, very good, good, fair, and poor. But there are two problems with this system. One is that, since it is inherently subjective, one bookseller’s grading can differ significantly from another’s, not even factoring in the obvious incentives to grade a book as better than it actually is. Second is the fact that even the ostensibly straightforward condition terms used by professional booksellers can be misleading. Grades of “As new”, “Fine” and “Very good” are relatively self-explanatory, but “Good” actually means quite worn and not so good, “Fair” means bad, and “Poor” means that you should keep this book on hand just in case there’s another pandemic and you run short of toilet paper.


I’ve spent a lot of time talking about the how the big three – edition, printing, and condition inform the desirability and value of a book. Now it’s time to contradict myself. Sometimes edition, printing, and condition take a back seat to provenance.

“Provenance” is the fancy bookseller term for a book’s history – the details of who’s owned it, where it’s been, and what it’s been up to since it was published. This typically manifests in the form of “extra ink”, by which we mean words, numbers, or notation of some sort applied to the book after it was published. Most of the time provenance is pedestrian, and either diminishes value or is neutral. A previous owner name and address written on the endpapers. A small stamp or sticker from a bookseller affixed to the rear pastedown or the front flap of a dust jacket. That sort of thing. But…

A collectible book is valued as a physical piece of history. When you can add more compelling history to the book, the book naturally becomes more valuable. What do I mean? When an author signed or inscribed a book. If a previous owner was famous, or, even better still, both famous and connected with the author. If the book was demonstrably present at an interesting, relevant, or important place and time. These sorts of things can dramatically enhance the story, value, and appeal of a book as a physical artifact.

A few examples may help. We once had a worn copy of the 1933 third edition of The River War by Churchill. This third edition was abridged and published a third of a century after the first edition. Moreover, this copy had lost its original dust jacket and was considerably soiled and worn. Ordinarily we’d not even bother offering it for sale. But this copy had been owned by a hero of both World Wars who died gallantly in the field during Churchill’s wartime premiership. And this copy had been purchased in 1934 by this same soldier from a Sudanese bookseller in Khartoum – the epicenter for the events that led to the titular River War. This became a case where the provenance actually became worth significantly more than the inherent value of the book itself. 

Another such case was a later printing of the American edition of Robert Frost’s second published book – North of Boston. Normally, a later printing of the American edition of this book is not a value proposition. The true first edition was published in England, preceding the American edition. And this copy was not the first printing, had lost its dust jacket, and was a bit worn. As if to make things even worse, the publisher had incorrectly designated this as “Third edition” on the copyright page, even though this was actually the second printing of the first American edition. So why did we bother offering this book? Because this humble and confused second printing of the first American edition had belonged to the author’s friend and fellow poet David McCord. The book featured both McCord’s dated ownership signature and a 28 April 1924 autograph letter from Frost to McCord referencing a review McCord had written about New Hampshire – Frost’s first book to win a Pulitzer Prize. McCord’s late 1923 review is actually published on the Pulitzer website. Another case of the value of provenance far exceeding the value of the book itself.

A more straightforward example came to us just a few days ago. The first edition, first printing of Frank Herbert’s 1965 science fiction masterpiece, Dune, is legendary. After being repeatedly rejected, Dune was first published by Chilton – a publisher best known for auto repair manuals. Dune went on to win the Hugo and Nebula Awards and has seen film adaptations and enduring acclaim. Dune also went on to multiple printings, Chilton issuing new printings of the first edition well into the 1970s. A first printing of the first edition can be worth many thousands, later printings some hundreds. A sixth printing of the first edition is typically not exciting. But this sixth printing is signed by Herbert. Twice. 


Don’t fret if your book is not a first edition and nobody interesting scribbled in it. First editions are the primary focus of many collectors, but they are by no means the sole focus. And provenance is not the only way to render a non-first edition compelling.

There are hosts of later editions that end up being quite coveted by collectors. Pretty much any of the hand-made books produced by the Kelmscott Press in the late 1800s are quite desirable and valuable indeed. If you have a Kelmscott Chaucer or Shakespeare, you definitely don’t have a first edition – and you definitely do have a very precious book. The first edition of James Joyce’s Ulysses was published in Paris in 1922. But if you have the 1935 edition published by the Limited Editions Club in New York, you have a very valuable non-first edition. This 1935 edition was illustrated and signed by Henri Matisse. And make sure you look carefully, because some were signed by Joyce, too. There are myriad fine, limited, collected, commemorative and other editions of works by authors that are not first editions but nonetheless valuable.


That valuing collectible books is complicated and depends on a variety of mutually influencing and sometimes seemingly disparate factors. That appropriately identifying and assessing these factors requires a little intuition, a little alchemy, and a lot of experience. That the market for rare books is just as ancient, enduring, and capriciously evolving as the learnings, loves, and lusts that drive us to possess books. That even nearly 3,000 words on the subject just scratches the surface. But that despite all of this complexity and arcanum, there are some identifiable signposts and considerations, some of which we hope you found in this post.


We’ve just implemented an effort to make it easier for you to ask us to consider your book(s). Please see our new SELL TO US page on our website, which includes a straightforward, easy to complete submittal form. 

One final question to address before we finish writing:


We buy and sell books in dozens of nations spread over six continents (Sorry Antarctica!). Chances are that we have sent or received valuable books from someplace way more exotic than where you live. With email and digital images we can typically accomplish much of the communication we need to consider a book or collection. And international shipping is, in our experience, safer than rush hour traffic or a COVID-19 trip to the grocery store.


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“From: THE PRIME MINISTER” – the story of an extraordinary inscribed wartime copy of Churchill’s My Early Life

I am writing to beg you not to let me go to Canada… A. Because I don’t want 

to leave England in time of war… B. Because I should be very homesick…

C. Because it would be kinder to let me be killed with you, if such happened

(which is quite unlikely)… D. I would not see you for an indefinite time, 

perhaps never again… Those are my reasons, and I hope that you will

take them into consideration….

P.S. I would rather be bombed to fragments than leave England.

The 6 July 1940 edition of The Times printed this anonymous letter written by an 11-year-old boy to his father. This letter precipitated perhaps the most compelling inscribed wartime copy of Churchill’s autobiography we’ve ever encountered. This post tells the story.

When the boy’s letter was printed in The Times, the father prefaced his son’s letter thus:

“Sir, – As I see that your correspondence has turned to the important consideration of the child’s own point of view, I send you the enclosed letter, a copy of the one which I have just received from my little boy aged 11.”

The boy’s letter caught the eye of Winston Churchill, who had been prime minister for less than two months. Churchill “instructed his office to identify the author. They did and Churchill sent the young boy an autographed volume of one of his own works in recognition of his patriotic defiance.” (Alban Webb, The Guardian, 1 March 2017)

It turns out that it was not just any book, but, magnificently appropriate for a brave and precocious 11-year-old-boy, a copy of My Early Life – Churchill’s engaging story of his early years. Moreover, Churchill did not just sign and send the book, but inscribed it to the boy by name, signing and dating the volume before having it wrapped in brown paper and hand-delivered care of the boy’s father. We know because this very book, still wrapped as it was when delivered, came into our possession. We wager we were no less thrilled than the boy who first received it.

This book is a magnificently evocative artifact of the desperately imperiled days of early Second World War Britain and the fraught first months in office of her prime minister, Winston S. Churchill. The moment and family that provoked this inscribed book encapsulate both the critical struggle over the skies of Britain and the deeply-rooted sacrificial resolve that saw Britain persevere. Moreover, the brief convergence of author and recipient witnessed by this book limns an animating spirit of virtuous defiance that both shared and both employed in service to conscience and country.


When Churchill became Prime Minister on 10 May 1940, the war for Britain was not so much a struggle for victory as a struggle to survive. Churchill’s first months in office saw, among other near-calamities, the Battle of the Atlantic, the fall of France, evacuation at Dunkirk, and the Battle of Britain. Hitler intended the Battle of Britain as the preparatory effort to gain air superiority prior to a planned invasion of England, “Operation Sea Lion”.

Because the war’s outcome is now settled history, it is perhaps difficult to viscerally understand how imperiled Britain was in July 1940. As late as April 1941, the Ministry of Information and the Prime Minister were still issuing printed instructions to all British households regarding what to do in the case of invasion. Legitimate fear and anxiety in England were cresting in the summer of 1940.

The unprecedented development of aerial military power meant that the English Channel and British Navy no longer guaranteed the safety of British homes and, in particular, of British children. “When war broke out in September 1939, fear that German bombing would cause civilian deaths prompted the government to evacuate children, mothers with infants and the infirm from British towns and cities… Over the course of three days 1.5 million evacuees were sent to rural locations considered to be safe.” Many had returned by the end of 1939 when the widely expected bombing raids on cities failed to materialize, but “additional rounds of official evacuation occurred nationwide in the summer and autumn of 1940, following the German invasion of France in May-June…” (Imperial War Museum) Some children were even evacuated overseas to other British Dominions, such as Canada. Early July, when this letter was written, was a particularly anxious moment. Germany was about to begin its aerial bombing campaign of British cities that would become known to history as “The Blitz”. Germany’s sustained aerial assault would result in many tens of thousands of British civilian casualties.

It’s worth recounting – and will become more relevant still as the story unfolds – that even before the First World War, Churchill was deeply intrigued by the possibilities of air power and fully engaged in efforts to explore the military potential. In 1913, he learned to fly and, as First Lord of the Admiralty, founded the Royal Naval Air Service and argued “for the proper funding of the Royal Flying Corps and its successor the Royal Air Force.” (Roberts, Walking with Destiny, p.128) Churchill used his post-WWI positions as Secretary of State for War and Air – in the face of considerable resistance – to make military aviation a priority. He sought to build resources and organizational capacity, but also to ensure that the Air Force remained integrated within a unified defence Ministry. Even so, he could not have known how absolutely critical a role air power would play in the survival of Britain under his own premiership decades later. This imminent aerial crucible was the catalyzing event behind Churchill’s gift of this book to young David Julian Benn.


David Julian Wedgwood Benn’s (1928-2017) letter to his father proved “an early indication of David’s lifelong instinct to question received wisdoms and assumed orthodoxies, allied to a healthy sense of dissent.” These are, of course, qualities the young David would very much have recognized in the pages and protagonist of My Early Life

David “became a linguist and scholar whose work as a barrister, BBC broadcaster, journalist and academic author reflected his determination to seek out objective truth. Dedicated to the study of international affairs, he retained an infectious and boyish curiosity for making sense of the world around him.” The Churchillian echoes hardly need underscoring.

David proved “conservative in everything but politics” but, despite socialist inclinations, he was unwilling to sacrifice conscience and justice to ideology. In fact “It was another letter, this time to the Soviet newspaper Pravda in Moscow, that led David to his long and influential career at the BBC. Shaken by the Soviet Union’s brutal repression of the Hungarian uprising, in December 1956 David organized and drafted an open letter…” signed by Labour Party leaders “requesting a justification of Soviet actions.” When the BBC Russian Service broadcast the letter, Pravda printed a reply. David ended up working for the BBC until 1984 in a career spent substantially engaged in Cold War analysis and reporting. In retirement he continued to write and publish on Cold War politics and propaganda. (Alban Webb, The Guardian, 1 March 2017) The very same “Iron Curtain” Churchill coined in 1946 would become the defining intellectual, moral, and political line in David’s career.


Britain’s Prime Minister was far from the only model of resolution in David’s life. Winston Churchill may have been unsurprised to discover that the father of the courageous anonymous boy whose words had captured his attention was William Wedgwood Benn (1877-1960) – the “Rt. Hon. Wedgwood Benn D.S.O., D.F.C., M.P.” to whom this book was hand-delivered after it was inscribed for David. 

A month after inscribing this book, in August 1940 Churchill famously praised “British airmen who, undaunted by odds, unwearied in their constant challenge and mortal danger, are turning the tide of the war by their prowess and by their devotion.” Churchill reckoned “Never in the field of human conflict was so much owed by so many to so few.” He could rightly have had Wedgwood Benn in mind.

Benn, a decorated First World War veteran, was first a Liberal and then a Labour MP who served as Secretary of State for India (1929-31) and, as 1st Viscount Stansgate, Secretary of State for Air (1945-46). Of course, the first man to hold the post of Secretary of State for Air had been Winston Churchill in 1919. During the First World War William served in Churchill’s Royal Naval Air Service, qualified as a pilot, and was awarded the Distinguished Service Order and the Distinguished Flying Cross, among other honors. But decades after he earned the D.F.C. and well before he ascended to the ministerial position, in May 1940 William joined the Royal Air Force Volunteer Reserve – despite being in his 60s. 

Though officially grounded, William “was known to have taken part in air operations” and may even have been the oldest man to serve as an RAF Bomber aircrew gunner. He resigned his commission in August 1945 with the rank of air commodore. David’s two older brothers, Michael and Tony, also both served in the RAF. Michael was killed in a crash in 1944. (ODNB) Tony entered the House of Commons as its youngest member in 1950, remaining until 2001 and becoming the Labour Party’s longest-serving MP.


The book itself, though wonderfully well-preserved, is the bibliographically humble third printing of the Keystone Library issue. The first edition was published by Thornton Butterworth Limited in 1930, when the recipient of this inscribed copy was still in diapers. The Keystone Library issue was published by Thornton Butterworth in the same setting and binding style as the first edition beginning in 1934. This third printing of the Keystone Library issue was published in January 1940, and thus would have been the most current British publication of My Early Life readily available at the time Churchill inscribed it as a gift to young David.

Though it was originally issued in a dust jacket, this copy obviously had its dust jacket removed when it was inscribed. Its current wrapping is testament to the English mania for wrapping things in brown paper. At the time it was gifted via hand delivery to David’s father, the book was carefully wrapped in brown paper carefully folded over the covers by means of flaps that were secured with tape. Clearly the brown paper and tape are original. The tape has left stains where it lay against the end sheets over the long years. Of far greater interest, Churchill’s office affixed to the brown paper cover a typed, blue-bordered label that reads, in seven lines:


The Right. Hon. Wedgwood Benn,

                        D.S.O., D.F.C., M.P.,

            40, Millbank,




We may reasonably assume that the dust jacket was removed by the Prime Minister’s office, replaced by the brown paper cover and delivery label. The original brown paper cover and the Prime Minister’s delivery label remain. The brown paper shows some wear to extremities and is split along the front hinge. The label is a bit soiled and worn, but nonetheless intact and clearly legible. Condition of the book beneath implies that it was both purchased new for the purpose of inscription and presentation and treasured thereafter as a gift. The vivid purple cloth binding remains beautifully bright and clean. The contents are equally untouched, showing only transfer browning to the endpapers and some age-toning, mostly evident to the page edges.

Precious few inscribed copies survive in such well-preserved condition. Indeed, arguably few were signed at this time so early during Churchill’s premiership; he was rather fully engaged in the pressing events of the day. Moreover, many inscribed early wartime copies of Churchill’s books either have long since entered the marketplace or remain held by families and institutions. In this case, explaining the appearance of this book eighty odd years after it was inscribed we have the unusual facts that David Wedgwood Benn was gifted this book at such a young age and lived such a long life thereafter.

Doubtless the specific choice of My Early Life for 11-year-old David Wedgwood Benn was intentional. In early wartime Britain under Churchill’s premiership, it is difficult to imagine a more fitting literary gift to a precociously verbal young man than Churchill’s own story about his early life. My Early Life covers the years spanning Churchill’s birth in 1874 to his first few years in Parliament, including his time as an itinerant war correspondent and cavalry officer, his early years as an author, and his capture and daring escape during the Boer War. Churchill took some liberties with facts and perhaps deceptively lightened or over-simplified certain events, but this is forgivably in keeping with the wit, pace, and engaging style that characterize the book. Certainly, Churchill’s style and liberties would have done nothing to diminish the book’s appeal to a determined young man surrounded by the conspicuous, unstinting, and intrepid courage of his father and older brothers.

“Come on now all you young men… You are needed more than ever now to fill the gap of a generation shorn by the War… Enter upon your inheritance, accept your responsibilities… Don’t take No for an answer… You will make all kinds of mistakes; but as long as you are generous and true, and also fierce, you cannot hurt the world or even seriously distress her. She was made to be wooed and won by youth.”

(Churchill, My Early Life, p.74)


It does not seem that either David or his father was of a temperament to abide sending David away from Britain during her darkest hours. Even had they been so inclined, the notional avenue was soon closed, not by David’s father, but by events. “In September 1940, the SS City of Benares travelling from Liverpool to Canada was sunk with the loss of 77 children… The British government immediately stopped the overseas evacuation scheme.” (The National Archives)

It took 120 years… the last word (and ALL the words) on Churchill’s The River War

Churchill’s second published book – The River War – presents a singular and strange case in the vast canon of Churchill’s published books.

Originally published in 1899, it swiftly saw a new edition in 1902. But that edition was considerably abridged and revised by the author, the text significantly reduced by one-third. While corrections were made, the chief spur to abridgement was indicated in the author’s own Preface: “What has been jettisoned consists mainly of personal impressions and opinions, often controversial in character…” Churchill had been elected to Parliament in 1900, and, among other things, the legitimate but impolitic criticisms of imperial cynicism and cruelty made in the first edition were a liability.

That’s understandable. Puzzling is the fact that every single edition of The River War since – and there have been many – has been based on the 1902 abridged and revised text. That means that anyone wanting to read the full text has been obliged to subject a scarce, expensive, and precious first edition to the rigors of casual reading.

Until now.

Today we have invited Professor James W. “Jim” Muller for a guest post. Professor Muller writes about the forthcoming complete, unabridged, fully annotated edition of The River War. It is the first time in nearly 120 years that the full text will be published. 

Dear Marc,

Thank you for the opportunity to let the Churchill community know about the forthcoming St. Augustine’s Press edition of The River War.

Winston Churchill wrote five books before he was elected to Parliament at the age of twenty-five. The most impressive of these books, The River War tells the story of Britain’s arduous and risky campaign to reconquer the Sudan at the end of the nineteenth century. More than half a century of subjection to Egypt had ended a decade earlier when Sudanese Dervishes rebelled against foreign rule and killed Britain’s envoy Charles Gordon at his palace in Khartoum in 1885. Political Islam collided with European imperialism. Herbert Kitchener’s Anglo-Egyptian army, advancing hundreds of miles south along the Nile through the Sahara Desert, defeated the Dervish army at the battle of Omdurman on September 2, 1898.

Churchill, an ambitious young cavalry officer serving with his regiment in India, had already published newspaper columns and a book about fighting on the Afghan frontier. He yearned to join Kitchener’s campaign. But the general, afraid of what he would write about it, refused to have him. Churchill returned to London. With help from his mother and the prime minister, he managed to get himself attached to an English cavalry regiment sent to strengthen Kitchener’s army. Hurriedly travelling to Egypt, Churchill rushed upriver to Khartoum, catching up with Kitchener’s army just in time to take part in the climactic battle. That day he charged with the 21st Lancers in the most dangerous fighting against the Dervish host.

He wrote fifteen dispatches from the Sudan for the Morning Post in London. As Kitchener had expected, Churchill’s dispatches and his subsequent book were highly controversial. The precocious officer, having earlier seen war on two other continents, showed a cool independence of his commander-in-chief. He even resigned from the army to be free to write the book as he pleased. He gave Kitchener credit for his victory but found much to criticize in his character and campaign.

Churchill’s book, far from being just a military history, told the whole story of the Egyptian conquest of the Sudan and the Dervishes’ rebellion against imperial rule. The young author was remarkably even-handed, showing sympathy for the founder of the rebellion, Muhammad Ahmad, and for his successor the Khalifa Abdullahi, whom Kitchener had defeated. He considered how the war in northeast Africa affected British politics at home, fit into the geopolitical rivalry between Britain and France, and abruptly thrust the vast Sudan, with the largest territory in Africa, into an uncertain future in Britain’s orbit.

In November 1899, The River War was published in “two massive volumes, my magnum opus (up to date), upon which I had lavished a whole year of my life,” as Churchill recalled later in his autobiography. The book had twenty-six chapters, five appendices, dozens of illustrations, and colored maps. 

Three years later, in 1902, it was shortened to fit into one volume. Seven whole chapters, and parts of every other chapter, disappeared in the abridgment. Many maps, most illustrations, and most appendices were also dropped. Since then the abridged edition has been reprinted regularly, and eventually it was even abridged further. But the full two-volume book, which is rare and expensive, was never published again—until now.

This fall, St. Augustine’s Press, in collaboration with the International Churchill Society, brings back to print in two handsome volumes The River War: An Historical Account of the Reconquest of the Soudan unabridged. Every chapter and appendix from the first edition has been restored. All the maps are in it, in their original colors, with all the illustrations by Churchill’s brother officer Angus McNeill.

This new edition of The River War has been more than thirty years in the making. I’ve created it to be the definitive edition. The whole book is printed in two colors, in black and red type, to show what Churchill originally wrote and how it was abridged or altered later. For the first time, a new appendix reproduces Churchill’s Sudan dispatches as he wrote them, before they were edited by the Morning Post. Other new appendices reprint Churchill’s subsequent writings on the Sudan. Thousands of new footnotes have been added to the book, identifying Churchill’s references to people, places, writings, and events unfamiliar to readers today. A new introduction explains how the book contributed to Churchill’s career as a writer and an aspiring politician and examines Churchill’s early thoughts about war, race, religion, and imperialism, which are still our political challenges in the twenty-first century.

Half a century after The River War appeared, this book was one of a handful of his works singled out by the Swedish Academy when it awarded Churchill the Nobel Prize in Literature in 1953. Now, once again, its reader can follow Churchill back to the war he fought on the Nile, beginning with the words of his youngest daughter. Before she died, Mary Soames wrote a new foreword for this book, which concludes that “In this splendid new edition…we have, in effect, the whole history of The River War as Winston Churchill wrote it—and it makes memorable reading.”

With all best wishes,



James W. Muller

Professor of Political Science

University of Alaska, Anchorage

There is a reason this work took long years to achieve publication. 

Merely being the first unabridged edition in 120 years would justify some excitement. But this is far more than just an unabridged edition. Included in the edition are the following:

  • Churchill’s original, unedited dispatches from the Sudan
  • Churchill’s additional, later writings about the Sudan and its leaders
  • Unpublished illustrations from a notebook kept during the campaign by the original artist of Churchill’s book, his fellow officer Angus McNeill
  • A facsimile of Churchill’s original, handwritten draft of his chapter on the fate of Gordon – the only known chapter draft preserved in his hand
  • Professor Muller’s extensive, insightful, and helpfully contextualizing Introduction
  • Profuse and informative annotations footnoted throughout the work, identifying Churchill’s references to people, places, writings, and events unfamiliar to today’s readers.
  • A new foreword, written specifically for this edition by Churchill’s youngest daughter, Mary Soames, before her death

Moreover, the entire text of The River War is printed in two colors, distinguishing between what Churchill originally wrote and how it was later abridged or altered.

The River War will be available in two forms.

The trade issue

A two-volume trade edition in a conventional hardcover binding will be available for $150. The trade issue dust jacket will feature a full-color drawing of a Dervish spearman by Angus McNeill (Volume I) and a photograph of Churchill in his Sudan uniform, which he signed on the day of the Battle of Omdurman (Volume II). Click HERE to reserve your copy with a deposit.

The finely bound, limited, and numbered Subscriber’s Issue

By special arrangement with the editor and publisher, Churchill Book Collector will offer a finely bound, limited, and numbered issue for subscribers.

This Subscriber’s issue will be personally hand-bound by the proprietor of Felton Bookbinding Ltd. in full navy morocco goatskin deferential in color and design to the publisher’s original illustrated cloth. Both binding illustrations – the Mahdi’s tomb on the spines and the gunboat on the beveled-edge front covers – are recreated from newly commissioned artwork and dies. The contents will be sewn, bound with silk head and tail bands and all edges gilt. Gilt-ruled turn-ins will frame handsome marbled endpapers. The limitation page of each set will be hand-numbered and signed by the Editor. The volumes will be housed in a navy cloth slipcase. Appearance of the volumes will be similar to those pictured.

There will be no more than 50 copies of the Subscriber’s issue of The River War. Click HERE to reserve your copy with a deposit.


The Beautifully Ruined

(or, more prosaically, on not judging a book by its cover)

My best lesson in not judging a book by its cover came from a bookseller, not a book. 

I was exhibiting for the first time at an antiquarian bookfair. It was during setup, our books still strewn haphazardly in piles on tables and in boxes on the floor. It is customary for dealers to wander during setup, perusing the unfinished booths of colleagues in search of “finds” and securing them before the doors open to the public. But it is strictly and only dealers and their staff who are allowed in the fair hall during setup. So I was shocked and not a little angry to suddenly notice a drug-addled, hygienically challenged, sartorial horror of a person riffling my inventory.

Let me clarify my leap to this uncharitable characterization. The person in question was tall with a gaunt aspect. He moved in an oddly disjointed manner suggesting either narcotics or nerve damage. His clothes were an aesthetic affront on multiple counts – fashion, condition, and cleanliness. His shaggy mane of matted, black hair looked as if it had last (and not recently) been cut with garden shears and combed with a rake. Perhaps just before he was left outside in a hurricane. In the clothes he was still wearing. Glimpsed through the wooly thatch curtain partially obscuring his face were an impressively English collection of teeth, these giving the impression of ruined dice tossed into the man’s mouth by a vengeful deity.

I would have thrown him out of my booth. But a friend and colleague with whom I was sharing the booth put her hand on my arm and said “Wait.” I heeded. 

In less than a minute, the man peremptorily announced to me “Right, I’ll take these”. The “these” were an assortment of $ four figure books, arguably the most interesting among the carefully curated items I had brought to the fair. I was gobsmacked at the literary scope, commercial acumen, and improbable speed of his discernment. The business card he dropped on his selected pile was that of one of the world’s foremost booksellers. The man’s employer was obviously able to see past the proverbial binding, even if I was not.

Most of us don’t get to profit handsomely from lessons in humility. I was fortunate in the gift of my wiser colleague’s staying hand on my arm. This allowed time for my own discernment to overcome my crude, cursory, and condescending assumptions.

In the years since, I have learned to apply a more patient regard to books – as well as to the eclectic, eccentric, and often unkempt savants who sell them.

Like all of us, I love a pretty book. I’m a sucker for immaculate old dust jackets, tastefully decorated publisher’s cloth, and, of course, a true craftsman’s fine leather binding. But I’ve learned to leave room in my heart and on my shelves for the beautifully ruined.

The Works of Lord Macaulay

So how about Volume V of the Albany Edition of The Works of Lord Macaulay? Is that one you covet for your shelves? What if I told you it was badly worn, with the sewn text block unraveling, splits on the front and rear endpapers, and the spine separated along the front cover, which remains attached only by a thin strip of cloth?

OK. A few more details. This is the work Winston S. Churchill would refute three decades later with his own four-volume biography of the Duke of Marlborough. And this particular volume was presented to the Midland Conservative Club in 1900 by its twenty-four-year-old President… Winston S. Churchill. Affixed to the front pastedown of this tattered volume was a plate reading “PRESENTED | TO THE | MIDLAND CONSERVATIVE CLUB | BY | WINSTON S. CHURCHILL, ESQ. | PRESIDENT | 1900”. 

1899 saw both Churchill’s first, unsuccessful run for parliament as a Conservative candidate for Oldham and his appointment as president of the Midland Conservative Club. Churchill remained club president until 1901, by which time he had become a member of Parliament. While president of the Midland Conservative Club Churchill launched a political career that lasted two thirds of a century, saw him occupy a cabinet office during each of the first six decades of the twentieth century, and carried him twice to the premiership and into the annals of history as a preeminent statesman.

Presentation bookplate from Winston S. Churchill

But first there was Macaulay. Perhaps no historian exceeded the impact of Lord Thomas Babington Macaulay (1800-1859) on Churchill’s literary life. Churchill’s own history with Lord Macaulay dated to schoolboy days at Harrow where he received a prize for reciting from memory 1200 lines of Macaulay’s “Lays of Ancient Rome”. While a cavalry officer in India, Churchill devoured Macaulay’s History of England, including lengthy treatment of Churchill’s great ancestor, John Churchill, the first Duke of Marlborough. Macaulay’s writing influenced Churchill’s own, with its “captivating style and devastating self-confidence”. This Volume V of Macaulay’s works contains the author’s generally negative treatment of Marlborough. 

Decades later, Macaulay would prove a literary catalyst for Churchill, who eventually came to regard Macaulay as a “prince of literary rogues, who always preferred the tale to the truth”. The most substantial work of Churchill’s “wilderness years” of the 1930s – Marlborough: His Life and Times – was conceived in part as a refutation of Macaulay’s history. Churchill spent 10 years researching and writing his four-volume biography with the express intent to “fasten the label ‘Liar’ to [Macaulay’s] genteel coat-tails.” More than half a century after he presented this book, when Churchill was awarded the Nobel Prize in Literature in 1953, it was partly for “mastery of historical and biographical description” on the strength of Marlborough, which was specifically cited and quoted by the Swedish Academy.

We once offered a first edition, first printing, first state of Churchill’s first published book  The Story of the Malakand Field Force – signed by Churchill during his first North American lecture tour. The binding remained beautifully bright, as did the contents. It was not only incredibly well-preserved, but clearly unequivocally unread, as all of the signatures remained uncut. Of course I’d want it for my shelves. But I’d not hesitate to put Volume V of the Albany Edition of The Works of Lord Macaulay on the shelf beside it.

In our quest for the perfect copy, it is easy to forget that the existential purpose of a book is to be read. As collectors, we may favor the few pristine copies that have eluded their fate, but there should be a place on our shelves for books roughened by the regard of previous readers. Such books tangibly witness the time, places, and experiences through which they traveled to us, not just neatly presenting history in tidy print, but accreting history in a mélange of scuffs, stains, and scribbles.

I own a lovely, jacketed, British first edition, first printing, six-volume set of Churchill’s history of the First World War, The World Crisis. But I still debate whether I should replace it on my shelves with an unjacketed, mixed printing set – a set not only worn, but full of writing in several hands. It is not a set that a fastidious collector would regard – unless they opened the covers.

The World Crisis

THIS is the set to which I refer. Like a certain bookseller I once met, the set is quite magnificent in its unloveliness.

This set has five dated inscriptions from Churchill to his Aunt and significant annotations by her son, Churchill’s first cousin. The worn condition owes to this cousin, who freely admitted “I am one of those horrible readers who deface their books with marginal comments…”

Inscription to Aunt Clara plus annotations by cousin Oswald

Normally I’d wince. But in this case the “defacer”, Captain Oswald Moreton Frewen (1887-1958), was a career naval officer who served under Churchill during his tenure as First Lord of the Admiralty in both the First and Second World Wars. Oswald participated in every naval engagement in the North Sea during the First World War, after the war helped the Admiralty prepare the official history of the Battle of Jutland, and during the Second World War served as King’s Harbour Master of Scapa Flow. Oswald’s extensive annotations in this set run to thousands of words. These annotations are remarkably informed and informative, sharply critical, compellingly interesting, and sometimes quite personal about his cousin, the author. 

This set is indelibly and uniquely endowed with a history beyond that which was printed therein. We may forgive that this came at the expense of condition. 

A final story, less rarified but to the point. Years ago we acquired a horribly tatty, poorly rebound first edition of My African Journey as part of an auction lot. No punchline here I’m afraid; there was nothing between the covers but worse-for-wear first edition contents. On a whim, I took the book with me when I traveled to Africa, where I read it. I spent my last night in Africa in a tented camp in the Serengeti. It is a semi-permanent camp, almost Victorian in the comparative luxury it affords in the middle of such a remote and unspoiled place. In the camp’s main tent was a small library with a selection of books about Africa. Right before we departed, I secretly left Winston’s book there on the shelf. I hope is has been read again, even unto pieces.


CBC stamp

“the beau-ideal of a cavalry subaltern” – How the death of a friend and fellow officer in “the last great British cavalry charge” shaped the man who led Britain during the Second World War

On 14 September 1943, sixty-eight-year-old Prime Minister Winston S. Churchill was returning from a lengthy trip to North America during which he conferred extensively with U.S. President Franklin D. Roosevelt. Among many issues clamoring for his attention were the newly-begun invasion of the Italian Peninsula, accommodation of both his American allies and the paranoid petulance of Stalin, conception and timing of Allied invasion of northern Europe, a forthcoming Allied foreign ministers conference in Moscow, and how to constructively shape the post-war world and Britain’s place in it, even as some of the most bloody fighting of the war lay still ahead and far from resolved in outcome. Despite these pressing cares and an intervening 45 years of life experience, in the Admiral’s Cabin of the battleship Renown on his way back to England and to war, “Churchill called for a box of matches, and demonstrated to those present the disposition of Kitchener’s forces at the Battle of Omdurman in 1898.”[i]

Long before he learned to fly, helped conceive the first tanks, converted the British Navy to oil-burning ships, directed development of the earliest computers, and presided as Prime Minister over the first British nuclear weapons test, in the twilight of Queen Victoria’s reign Churchill rode a horse into battle against the Dervishes of central Sudan in “the last great British cavalry charge”.

It was on horseback at Omdurman that Churchill viscerally comprehended “the shoddiness of war. You cannot gilt it. The raw comes through.”[ii] It was the death of a friend and fellow officer that shaped and charged this lesson. And it was in a letter of September 1898, posted by Churchill to a fellow officer as he was returning home, that Churchill gave a fittingly raw, affecting, personal remembrance of this fallen comrade. 

This autograph letter with its original envelope postmarked 20 September 1898 from Cairo was written by Winston Churchill to G.W. Hobson regarding the death of their mutual friend Robert Grenfell in the Battle of Omdurman on 2 September 1898. 

Churchill produced no shortage of letters in his long and prolifically worded life. Many survive, but seldom do we encounter a letter of such early candor and consequence. In both respects this letter is superlative.

It is enough that the letter is a wrenching tribute to a fallen friend and fellow officer from the 23-year-old Churchill, fresh from the battlefield. And it is noteworthy that the letter not only survives, but remains accompanied by the original envelope posted from Egypt as Churchill was en route home to England. Several additional factors render this letter not merely precious and compelling, but significant. 

First, this letter is neither referenced nor recorded in either the narrative or documents volumes of Churchill’s official biography. Second, although Churchill wrote about Grenfell many times in both print and correspondence, this letter appears to record the fullest and most deeply personal account of both Grenfell and Churchill’s friendship with him. Finally, it appears that the grisly death of his friend and fellow young officer was formative to Churchill’s conceptions of the hazards and necessities of battle, the role of chance in war, and a sense of his personal luck. These conceptions carried Churchill through countless additional battles, both as a soldier and a leader, for more than half a century after Omdurman.

The letter is inked entirely in Churchill’s hand on a single sheet of laid paper measuring 10 x 8 inches (25.4 x 20.3 cm) folded once vertically to form the four panels on which the letter is written, and subsequently folded twice horizontally to fit into the accompanying envelope. Condition of the letter approaches very good. The purple ink remains vivid, distinct with no appreciable fading. The paper is lightly spotted and toned with tiny loss to some fold corners and two small separations along fold lines, but with no loss to the contents. 

In 377 words in six paragraphs inked in 75 lines on all four panels, the letter reads:

Dear Hobson, 

I have felt inclined to write to you for some days and tell you how much I sympathise with your regiment in losing Robert Grenfell. Although I had not known him long, I got to know him very well and during our march up country we always lived together and ate our meals together. I had a very long talk with him the night before the action and we said several things which now seem strange and significant. 

I need not write to you of his charm or of the talent he had of making everybody like him – for all this you will know better than I. He was an extraordinarily keen soldier, and was always bustling about collecting details of boats, and stores and guns, which he duly recorded in his note book. Two days before the action he had a bad attack of dysentery and only his pluck enabled him to keep in the saddle. Indeed I think had he lived that he would have been sent to hospital the day after the fight.  

Just before the 21st Lancers charged, he was sent out with a patrol to reconnoitre the further side of Heliograph Hill and I myself saw him cantering easily along within two hundred yards of the Dervishes under a hot and dangerous fire – the beau-ideal of a cavalry subaltern. 

As to his death – I was of course no witness for we passed on and were busy reforming afterwards. But his body lay on the attack side of the Khor and I therefore conclude he must have been shot before ever reaching the enemy and cut up as he lay on the ground after we had passed through. 

I think the news took the pleasure and excitement out of most of us. For my part his figure – distinguished by his little red cap which had become familiar to everyone on the march up – will always be associated in my mind with a feeling of pain and sorrow. 

I write this to you because you are the only officer I know in your regiment. But if there is anyone who was a great friend of Grenfell’s it might interest him to read this before you destroy it. 

Sincerely yours

Winston S. Churchill

The letter is accompanied by the original envelope addressed in Churchill’s hand to “G. W. Hobson, Esq | 12thLancers | Cavalry Barracks | Aldershot” and the envelope itself is also initialed “W.S.C”. by Churchill at the lower left.

The upper right of the envelope features two circular postmark ink stamps, both reading “CAIRE 20 IX 98 VIII”, the second stamped over a rectangular stamp plus one small, vertical ink stamp on the right edge that reads “54027” on the postal tape that secures the left, right, and bottom edges. The envelope was ripped open by the recipient, extending to a closed tear across the flap. There is an additional circular stamp and several partial stamps on and just below the envelope flap.

Gerald Walton Hobson (1873-1962), the recipient of this letter, was with Robert Grenfell’s 12th Lancers during the Boer War and later wrote a history of the regiment. He was a polo player and steeplechase rider and plausibly knew Churchill through the commonalities of being cavalry officers with an interest in polo. Both Robert Grenfell and his brothers played polo during their military service.

The letter and envelope are now each protected within their own clear, removable, archival sleeves, these housed in a rigid crimson cloth folder.

By 1898, at the age of 23, Churchill had already demonstrated an eagerness to prove his mettle under fire and a facility not only for combat, but also for engaging with an audience as a well-compensated war correspondent. Attaching himself to General Bindon Blood’s punitive expedition on the northwest Indian frontier in 1897 had resulted in both his being mentioned in dispatches for “courage and resolution” and impetus to publish his first book – The Story of the Malakand Field Force – based on his dispatches to the Daily Telegraph and the Pioneer Mail.

Far afield from India, a different colonial conflict loomed in Sudan. In 1883, forces of a messianic Islamic leader, Mohammed Ahmed, overwhelmed the Egyptian army of British commander William Hicks and Britain ordered withdrawal. In 1885, General Gordon famously lost his life in a doomed defense of Khartoum. Though the Mahdi died the same year, his theocracy continued. By 1898, the British government was finally ready to send an Anglo-Egyptian expedition and it fell to Major-General Sir Herbert Kitchener (1850-1916) “to exact revenge and protect the southern part of British-controlled Egypt.” 

Churchill was “desperate to fight in the coming Sudan campaign” and pleaded with his well-connected and influential mother to help secure him a place with Kitchener’s expedition. This was no small task as “both Kitchener and Douglas Haig, his staff officer, were totally opposed to having journalists on the expedition, especially one as thrusting and high-profile as Churchill”. Kitchener – quite rightly it turned out – was wary of Churchill’s “reputation for criticizing generals in print.” Even appeal from Prime Minister Salisbury on Churchill’s behalf via the High Commissioner in Egypt did not sway Kitchener. In the end, Churchill secured a posting as a supernumerary lieutenant attached to the 21st Lancers only through the appeal of the wife of a family friend – and this only because a Lieutenant had died, creating a vacancy.[iii] Churchill was ordered to regimental headquarters in Cairo, but told by the War Office “It is understood that you will proceed at your own expense and that in the event of your being killed or wounded… no charge of any kind will fall on British Army funds.”[iv]

Churchill hastened to Egypt, where a troop had been reserved for him “in one of the leading squadrons” but a delay and uncertainty about his arrival meant that his position had been given to another – Second Lieutenant Robert Grenfell. “‘Fancy how lucky I am,’ wrote Grenfell to his family. ‘Here I have got the troop that would have been Winston’s, and we are to be the first to start.’”[v]

Lieutenant Robert Septimus Grenfell (1875-1898) was the brother of Colonel Cecil Alfred Grenfell (1864-1924) who married Lady Lilian Maud Spencer-Churchill (1873-1951), Winston’s cousin, in 1898. Robert and his eight brothers heeded their family’s distinguished military pedigree. Their maternal grandfather was Admiral John Pascoe Grenfell and their uncle Field Marshal Francis Grenfell, 1st Baron Grenfell. 

Robert’s generation of Grenfells gave extravagantly to the Empire. Three of Robert’s brothers (Cecil Alfred, Howard Maxwell, and Arthur Morton Grenfell) reached the rank of Lieutenant Colonel in the British Army. Arthur married the daughter of General Sir Neville Lyttleton, who served under and succeeded Kitchener in command in South Africa. One of Robert’s brothers, as well as a cousin, would die in the Boer War and both of Robert’s younger twin brothers, Francis and Riversdale, were killed in the First World War. Two other cousins – the poet Julian Grenfell and his brother Gerald, also fell during the First World War. But first of his generation of Grenfells to fall was Robert, who quite mistook “how lucky I am”.

On 2 September 1898, during the Battle of Omdurman, Grenfell was literally hacked to pieces by the Mahdist forces. Churchill later wrote “…at this shocking news, the exhilaration of the gallop, the excitement of the moment, the joy and triumph of successful combat, faded from the mind; and the realisation came home with awful force that war, disguise it as you may, is but a dirty, shoddy business, which only a fool would undertake. Nor was it until the night that I again recognised that there are some things that have to be done, no matter what the cost may be.[vi]

This was no affected recollection, but closely mirrors Churchill’s initial response when he wrote to his mother just two days after the battle about “poor Grenfell” whose death “took the pleasure and exultation out of the whole affair, as far as I was concerned.” In that letter, Churchill told his mother that he spent the night after the battle “anxious and worried” speculating on the “shoddiness of war.”

The visceral sense of war’s stark brutalities and fateful chances that Grenfell’s death imparted lingered. On 29 September Churchill wrote to his first cousin “Sunny” (Charles Marlborough, 9th Duke of Marlborough) “It is good to be able to look out on life again, without the feeling that perhaps death impended in the near future. I should have hated to lie in that hot red sand at Omdurman-after all the army had marched away. And yet on what do these things depend. Chance-Providence-God-the Devil-call it what you will. Had I started when I meant to from London I should have had Grenfell’s troop and ridden where he rode. I could not get a place in the sleeping car and delayed two days.[vii] Thirty-two years later, in his autobiography, Churchill was still reflecting on Grenfell’s death, and wrote of the incident “Chance is unceasingly at work in our lives, but we cannot always see its workings sharply and clearly defined.[viii]

For the rest of his life, Churchill conspicuously chanced and dared – with both his reputation and his life – but he would also seek to bend the vagaries of chance to his will and perspective. In this, his pen proved a far more formidable weapon than the horse and pistol that had seen him through the cavalry charge at Omdurman. 

To the point, half a century after Omdurman, Churchill told the House of Commons “I consider that it will be found much better by all Parties to leave the past to history, especially as I propose to write that history myself.[ix]Churchill could not save his friend and comrade from death, but he could defend his reputation. When he published his account of the British campaign in the Sudan (The River War, November 1899), he gave Grenfell the posthumous gift of favorably written history. Before the battle, Grenfell was sent out at the head of a patrol “to see what the ground looked like from further along the ridge and on the lower slopes of Surgham.” Churchill watched Grenfell and his Lancers galloping back from this patrol under rifle fire “followed last of all by their officer, who looked, I remember thinking at the time… the beau-ideal of the cavalry subaltern.” Grenfell’s patrol reported a force “of Dervishes about 1,000 strong.” Churchill contends in The River War that Grenfell was not wrong, but rather that the Dervish force was reinforced after his patrol, increasing to 2,700. Either way, an attack was ordered based on Grenfell’s intelligence and the cavalry regiment – including both Grenfell’s 12th Lancers and Churchill’s 21st Lancers – confronted a force considerably larger than expected. 

During the first charge, “In 120 seconds five officers, 65 men, and 119 horses out of less than 400 had been killed or wounded.[x] Grenfell’s own troop “was practically cut to pieces in the charge which the regiment made… and its brave young leader was killed.[xi] Churchill is anything but neutral and detached in conveying the loss. “This young officer, who to great personal charm and high courage added talents and industry which gave promise of a successful and even a famous military career, and who had just before the charge reconnoitered the enemy under a hot fire in a manner that excited general admiration, had been cut down and killed.[xii]

Churchill stayed in touch with members of the Grenfell family, including dining with Robert’s younger twin brothers Francis and Riversdale and attending Francis’s funeral when he was killed during the First World War, days after Churchill was forced to resign his post as First Lord of the Admiralty.

It is noteworthy that Churchill’s book, a thoroughly edited and carefully considered work published more than a year after the events it describes – nonetheless uses some of the very same language to describe Grenfell employed in Churchill’s September 1898 letter describing Grenfell to Hobson. It seems reasonable to take this as further evidence of the enduring impact of Grenfell’s death on Churchill.

Of course, no single battle and single death can fully encapsulate or encompass a man like Churchill. Neither can a single letter illuminate the full complexity of his vast experience and perspective. Just the same, it is impossible not to regard this letter as testimony to a fundamentally formative loss that informed Churchill’s notions of war, courage, fortune, and fate for the rest of his life.

We will offer this remarkable letter for sale on 4 June 2020.


Marc Kuritz

[i] Gilbert. Vol. VII, p.506

[ii] WSC, letter to Lady Randolph, 4 September 1898

[iii] Roberts, Walking with Destiny, p.53-4

[iv] WSC, My Early Life, p.182

[v] WSC, My Early Life, p.183

[vi] WSC, The River War p.143

[vii] Letter held by the Library of Congress

[viii] WSC, My Early Life, p.183

[ix] Speech of 23 January 1948

[x] WSC, The River War, pp.132-143

[xi] WSC, My Early Life, p.183

[xii] WSC, The River War, p.143

Keep Calm and … Stay Home?

It always seems good advice to tackle the hard part first. So here goes.

There is a global pandemic. I am writing several days into a California-wide “shelter in place” order that affects 40 million citizens. The long bull market is done. Not only may a great many of our fellow citizens sicken and die, but as they do, they will overwhelm the limited capacity of our medical systems. And as the market drops, unemployment will like rise. Livelihoods, businesses, and savings will be lost. As these individual economic tethers dissipate, so too may confidence in the systems and social contracts that create our mutual prosperity. 

Help may be hard to come by. Recklessly, many governments indulged in significant deficit spending and suppressed interest rates during the now abruptly-terminated boom. This profligacy drastically limits the typical tools used to mitigate economic crisis – namely more deficit spending and interest rate reductions. Recklessness is not confined to monetary policy; many of the world’s leaders who had already forsaken science now also abandon sense. Various presidents and potentates are blaming adversary nations for the existence of an apolitical virus, indulging in inflammatory attempts to deflect from their own incompetence. To top it off, many of us are confined to our domiciles like middle ages peasants in the dead of winter – who also did not have toilet paper. 

In short, crisis.

While none of my immediate family members or close friends have yet contracted COVID-19, I did attempt to cut my own hair. This was an unmitigated aesthetic disaster. But it has at least made me grateful for enforced isolation…

It is nearly impossible not to think of the “Keep Calm and Carry On” motivational slogan conceived by the British Government in 1939 at the onset of the Second World War.

At the time, the slogan was meant to encapsulate the imperative of continuing to function – both as productive individuals and as a coherent, cooperating society – in the face of a clear and present existential threat, namely the prospect of Nazi occupation.

Several things seem important about this slogan in light of present exigencies. 

First is the admonition to keep calm. Hysteria is arguably far more of a danger in today’s over-populated, hyper-connected world than it was in the distinctly more message-controlled societies of the mid-twentieth century. The proliferation of bias-pandering mass media venues and the virtual viralities of the Internet seem to embolden crackpot preppers and prognosticators. What we need now – as always – are considered, considerate, and constructive perseverers. 

The guy I saw in Costco wearing a military gas mask, tactical boots, and camouflage vest seemed to be living his own personal dream. He may survive the rest of us, but it feels like precious little else of civilization-defining value would survive with him and his increasingly closely-related kin.

But there’s more to it than just keeping calm. And “carry on” is a deceptively nuanced instruction. It seems important not to conflate “carry on” with “keep doing the same things the same way”. Pre-WWII Britain saw radical changes after Nazi Germany invaded Poland in September 1939. And victorious but sapped post-WWII Britain saw still more radical changes.

Britons had to change their habits and expectations and endure in order to survive as individuals and as a society. And then they had to change and endure yet again to abide and adapt to prolonged economic austerities and geopolitical diminutions. 

So, too, may it be for us. If we carry on. If we adapt, abide, and endure.

This will be hard. The British bore the weight of hardship, but also the gift of purpose. Wartime Britons had to “carry on” because wartime production and productivity were necessary for their entire nation to survive. Without collective sacrifice and collective survival, there was no hope of individual survival and prosperity. 

Contrast that to the present state for many of us. If we are not trained health care professionals or other “essential” workers, there’s no brave and inspiring charge. We’re not to gird ourselves for battle, not to sacrifice life and fortune, not even to really sacrifice, but rather just to “shelter in place”. In other words, stay home and help by simply staying out of the way. We are not only to forego any usefulness, but also the physical comity and contact with those beyond our immediate household. 

Last night I watched the Pixar film “Inside Out” with my wife and daughter. In it, there’s a crisis. One of the characters draws a chalk circle on the floor for one of the other characters and tells her that she can best help by staying inside her circle. Yeah, a bit too close to home. What has been taken from most of us is the one of the few things we cannot endure long without – a sense of our own efficacy. An open-ended “shelter in place” order is an order to “Keep Calm and Twiddle Your Thumbs”.

During the Blitz, Londoners had to do the same in air raid shelters. But they did it together. And between the raids, they returned to work to “carry on”. How long would they have lasted as individuals and as a society if they hunkered in shelters in small family groups for weeks on end? 

Defying the letter of a shelter in place order would be grossly irresponsible, risking not only myself and my loved ones, but my fellow citizens. So I’m determined instead to defy the spirit of sheltering in place. I’ll try not to let prudence degrade to fearfulness. I’ll find a way each day to reach out to others, endeavoring to supplement their – and my own – lack of mutual engagement and reinforcement. If I have the means and ability to help someone less composed or prepared, I will. And I will keep productively busy, diligently applying the time I’m being given.

Lastly, I’ll watch some YouTube videos on how to cut hair.

Two and a half millenia ago, Pericles of Athens famously used the occasion of a state funeral in a time of crisis to exhort his fellow citizens to regard their role in a collective enterprise and ideal greater than themselves. Soon after his oration, Athens was besieged, the confined Athenians beset by plague, and Pericles himself numbered among the victims. Athens eventually fell to Sparta, later to Macedon, and eventually to Rome. In time, the splendor and accomplishments of ancient Athens decayed and distorted. But more than two thousand years after Pericles delivered his funeral oration, some unruly North American colonists carefully considered the lessons and legacy of Athens in framing their own efforts at self-government. And this morning I read the funeral oration of Pericles aloud in my backyard.

If that tale of sacrifice and adaptation seems too removed from present reality, we may be heartened by the arc of a more contemporary message. “Keep Calm and Carry On” began as a notional wartime slogan that was never widely used. Allegedly, years later one of the few test printings of the poster was discovered in a consignment of secondhand books. The bookseller created some of the first reproductions. From there – pardon the motif – it went viral. The message, born in true extremis, quickly morphed into a variegated, ubiquitously commercialized slogan. “Keep Calm and [fill in the blank] has been used to encapsulate every non-extremis form of triviality and silliness one might imagine, primarily in times and societies distinctly unaccustomed to hardship and sacrifice.

In short, the slogan itself survived, adapted, proliferated, and prospered. Shorn of original purpose, it found new application.

Given the notional origin of COVID-19, it may also be instructive to consider the apocryphal interpretation of the Chinese character for “crisis”. Setting aside the contested accuracy of the interpretation, it has often been said that the character is an amalgamation of those representing both “danger” and “opportunity”.

Here in Southern California spring has arrived early. Most of our deciduous trees have already erupted in leaves and nearly every plant in the garden bears the vivid hues of brand-new growth. Today I’m particularly smitten with the Ash sapling (Fraximus Vel Rio Grande for those more horticultural than I) in the courtyard space on the eastern side of the house. On the one hand, I should add concern about global warming and the presaged longer, hotter summer to come to the growing litany of dire warnings. Irrespective, it is impossible not to regard the invigorating light of this splendidly beautiful day. May I make the best of the available light and grow as well as my garden.

And if only one part of me grows, may it please be my hair… 

I hope these words find you safe and sane, well stocked with good sense, good companions, and, of course, good books.



Six Degrees of Winston

Valentine’s Day seems an appropriate occasion to rhapsodize about connectedness. So I’m writing to introduce Six Degrees of Winston – our new catalogue which includes signed or inscribed books, ephemera, and correspondence by or about Winston S. Churchill, his contemporaries, and his time.

Six Degrees of Separation

Of course, there’s some contrivance in the catalogue title; we like to keep it interesting, and merely titling a catalogue “Some more cool stuff you should buy” is not our style. That said, there’s a little more to the six degrees idea than mere marketing. Hence this post.

“Six degrees of separation” is the idea that any human being can be connected to any other human being through a chain of acquaintances with no more than five intermediaries. Frankly, it can seem hard to believe.

Frigyes Karinthy

Skepticism seems warranted, particularly given that the idea is nearly a century old and originated as fiction. Conception of the phenomenon is attributed to a 1929 short story titled “Chains” by Hungarian writer Frigyes Karinthy. Despite origins in fiction, this notion that social distance disregards physical and social barriers, that an ever-swelling global population is still proximately interconnected, resonates in the zeitgeist.

Since 1929, a number of mathematicians, sociologists, and physicists have conducted various experiments more or less validating the idea. In the late 1960s, Stanley Milgram and Jeffrey Travers designed an experiment using the mail that tested and validated Karinthy’s idea, which they called the “small world” hypothesis. Others followed. And then came the Internet. Twenty-first century “six degrees” experiments conducted by the likes of Columbia University and Microsoft access the unprecedented data mine of electronic communication.

Six Degrees of Kevin Bacon\

But we don’t have to rely on scientific experiment. For anti-vaxxers, climate change deniers, and others who poo-poo objective data, there’s a less methodical way to go about substantiating Karinthy’s notion – “Six degrees of Kevin Bacon”. That’s the parlor game where movie buffs challenge each other to find the shortest connection between any arbitrary actor and actor Kevin Bacon. For example – John Malkovich. He acted in Death of a Salesman with Dustin Hoffman who acted in Sleepers with Kevin Bacon. You get the idea.

The “six degrees” notion has proven not only persistently captivating, but also presciently persistent. The world’s population has roughly quadrupled since Karinthy’s story was published in 1929, but the addition of nearly six billion human beings has not appreciably increased the degrees by which we are separated.

Even as I type these words, engaging in the doubly archaic exercise of introducing a print catalogue intended to sell items of paper and ink, the cultural prairie fire of social media is – for better or for worse – validating the perceptive imagination of Frigyes Karinthy.

Which, of course, doesn’t tell you anything about what this has to do with Winston Churchill and our shiny new catalogue.

A number of “six degrees” inferences pertain.

Six Degrees of Winston

First, as the contents of our catalogue demonstrate, Churchill’s “remarkable and versatile” life was connected to a tremendous quantity and variety of extraordinary people.

Second, who we are is affected by those to whom we are connected – whether by direct experience and association or mere acquaintance and regard. An individual’s “six degrees” are the gut bacteria of their personality – prolific, symbiotic, cumulatively vital, and experientially inseverable.

Third, the “six degrees” hypothesis reminds us that many distances – whether between people or between divergent places and perspectives – may be less than we suppose. But the sundering distances created by time are different.

History recedes. Not just in time, but in relevance and relatability. “Now” crowds “then”. “Is” eclipses “was”. “We” decays to “they”. Degrees of separation lengthen with years. In the words of someone we tend to quote, “History with its flickering lamp stumbles along the trail of the past, trying to reconstruct its scenes, to revive its echoes, and kindle with pale gleams the passion of former days.” An understanding and appreciation for history enables the relatably small world of the six degrees hypothesis to fend – at least to a degree – the depredations of time.

Which returns me to our catalogue – and a bit of apropos bookseller numerology.

There are six times six items offered in Six Degrees of Winston. These include the signatures of sixty-six individuals. Winston Churchill’s signature is found in several catalogue items, but the balance of the signatures are those of individuals connected to his life and labors – as is he to theirs.

Six Degrees of Winston catalogue 2020

Among the sixty-six are prime ministers and presidents, generals and field marshals, historians, photographers, novelists, soldiers, relatives, and royalty. We did not pull off a literal “A to Z” list, but we did make A to W. Here’s the full list of signatures:

Field Marshal Harold Rupert Leofric George Alexander, first Earl Alexander of Tunis

Emma Margaret “Margot” Asquith, Countess of Oxford and Asquith

Herbert Henry Asquith, 1st Earl of Oxford and Asquith

Roy Asser

Wing Commander P. P. C Barthropp

Wing Commander R. P. “Bee” Beamont

Squadron Leader G. H. “Ben” Bennions

Air Vice-Marshal H. A. C. Bird-Wilson

Air Commodore P. M. Brothers

Henry Worthington Bull

Pamela Frances Audrey Bulwer-Lytton (née Plowden), Countess of Lytton

Dame Agatha Mary Clarissa Christie, Lady Mallowan

Baroness Clementine Ogilvy Spencer-Churchill

Jeanette “Jennie” Spencer-Churchill

Sir Winston S. Churchill

Winston S. Churchill (namesake grandson)

Sir Julian S. Corbett

Air Marshal Sir Denis Crowley-Milling

Group Captain W. D. David

Air Commodore A. C. “Al” Deere

Edward John Barrington Douglas-Scott, 3rd Baron Montagu of Beaulieu

Squadron Leader B. H. Drobinski

Flight Lieutenant J. H. Duart

Dwight David Eisenhower

Gerald R. Ford, Jr.

Air Chief Marshal Sir Christopher Foxley-Norris

Sir Martin Gilbert

Herbert John Gladstone, 1st Viscount Gladstone

Group Captain T. P. “Tom” Gleave

John Golley

Ethel Anne Priscilla “Ettie” Grenfell, Baroness Desborough

William Henry Grenfell, 1st Baron Desborough

Bill Gunston

Douglas Southall Freeman

Wing Commander N. P. W. Hancock

Squadron Leader C. Haw

Commander R. C. Hay

Freddie Hurrell

Yousuf Karsh

Group Captain C. B. F. Kingcome

Colonel Henry Gaston Lafont

Richard M. Langworth

Arnold Walter Lawrence

Thomas Edward Lawrence

Sir Reginald Lister

Clare Boothe Luce

Alfred Lyttelton

Edith Balfour Lyttelton

Air Commodre A. R. D. MacDonell

Squadron Leader M. J. Mansfield

Kimon Evan Marengo (nom de plume “Kem”)

Brian Masterton

John McClelland

Field Marshal Bernard Law Montgomery, 1st Viscount Montgomery of Alamein

Wing Commander A. G. Page

Wing Commander P. L. Parrott

Michael Pierce

Theodore Roosevelt, Jr.

Group Captain D. F. B. Sheen

Wing Commander F. M. Smith

Walter Ernest Stoneman

Wing Commander J. E. Storrar

Millicent Fanny Sutherland-Leveson-Gower, Duchess of Sutherland (nom de plume Erskine Gower)

Harold John “Jack” Tennant

Wing Commander G. C. Unwin

Helen Venetia Vincent, Viscountess D’Abernon

Harold James Wilson, Baron Wilson of Rievaulx

Lady Cornelia Henrietta Maria Wimborne

Elizabeth Alexandra Mary Windsor, Queen Elizabeth II

Each of the thirty-six artifacts in the catalogue signed by one or more of these individuals is a tangible link, a flicker limning that “trail of the past”, and of course, a collectable connection to Winston Churchill. We leave it to you to count the degrees.

Churchill Book Collector

Announcing publication of A Fresh Station: T. E. Lawrence writing and riding at Cranwell

So I just co-authored a book about a letter. The experience was about as much fun as I’ve ever had as a lifelong bibliophile.

Among the oddities of life as a rare bookseller is that handling scarce and precious items can become a routine occurrence. But no matter how seasoned and jaded the bookseller becomes, there are still experiences that can invoke the giddy collector within.

In 2018, we acquired a copy of the 1935 British limited issue of Seven Pillars of Wisdom by T. E. Lawrence, better known to the world as Lawrence of Arabia.

It’s a handsome and desirable book. In the summer of 1935, in the weeks following Lawrence’s death, the text of the 1926 Subscribers’ Edition was finally published for circulation to the general public in the form of a British first trade edition. Simultaneous with the first trade edition, the British publisher Jonathan Cape issued a finely bound, hand-numbered limited edition of 750 copies. This limited issue was bound in quarter tan pigskin over brown buckram boards with gilt stamped spine, gilt front cover illustration, and gilt rule transitions. The text is printed on untrimmed sheets with gilt top edge and bound with decorative headbands and marbled endpapers. It’s a handsome book, nice copies are reasonably scarce, and this is a fairly nice copy. Moreover, it is number 50, so early in the run. 

But this story is not about the book. It’s about what we found in the book.

Our book arrived in the mail and was routinely opened by my assistant. Elise is smart, capable, diligent, and seldom misses an important detail about a book. I should have responded attentively when she called to me in the library and said “Hey, doesn’t this look like Lawrence’s handwriting?” Instead, I confess that I was initially dismissive. 

Actually, I was a bit of an ass. Picture classic bookseller pose. I turned to look at Elise, theatrically lowered my reading glasses, and told her that the publisher included facsimile reproduction of Lawrence’s handwritten notes in the book. Elise’s response – a deserved look of huffy condescension – got me off my high horse and over to her desk, where I found a letter, apparently entirely in Lawrence’s hand, tipped onto the book’s limitation page verso.

No kidding. Turns out that the jaded bookseller’s heart still goes pitter-patter.

A remarkable First World War odyssey as instigator, organizer, hero, and tragic figure of the Arab revolt against the Ottoman Empire transformed Thomas Edward Lawrence (1888-1935) from an eccentric junior intelligence officer into “Lawrence of Arabia”. This indelible experience and celebrity, which he spent the rest of his short life struggling to reconcile and reject, to recount and repress, became Seven Pillars of Wisdom.

His letter prompted my own personal T. E. Lawrence odyssey. First, we reached out to a few experts – among them Nicole Wilson, co-founder of Castle Hill Press and widow of Lawrence’s official biographer, as well as Richard Knowles of Rickaro Books, a bookseller colleague who is an accomplished Lawrence collector, purveyor, and author. They, among others, validated our confidence that the letter was indeed written by Lawrence. Then we identified an appropriate conservator to carefully remove the letter from the book to which it had been adhered at two points. That led to a whole new round of excitement, as it turns out the letter had been penned on the back of an RAF “Application for Mechanical Transport”.

Lawrence’s correspondence has been painstakingly documented, much of it published by Lawrence’s official Biographer, Jeremy Wilson, and his wife, Nicole, of Castle Hill Press. Nonetheless, it turns out that nobody in the Lawrence community had ever seen or heard of this particular letter. 

Once we ticked the authentication and conservation boxes, it was time for research. That proved a proverbial rabbit hole, as we sought to identify the time and context in which the letter was written and some of the more ambiguous references therein. This was, of course made more challenging by the fact that both the upper right corner of the letter, ostensibly bearing a date, and the signature at the lower right, had been excised – plausibly owing to the fact that even as early as the late 1920s, Lawrence’s signature already commanded considerable monetary value.

Here’s what the letter says:

Four lines at the upper right read: “All this is my present name & | address. I’m one of the Cadets’ | slaves: not a cadet: God be | praised. Life is v. good, up here.” The body of the letter reads: “Dear Goslett | A bit slow in the reply: but better than last time, | I think. What? | Lowell Thomas? Curses on L.T. What? | Your bet with Makins will have to be declared “off”. They | sent me up here, to a fresh station, where I | have no leisure after the day’s work. So | my proofs only receive treatment on half-days | and Sundays: and then usually only if it | rains: for I love the road: and my bike. | Consequently the book will not be ready till the | new year: | You and Makins each get a copy of the complete | (but un-illustrated) text. Remember me to him. | Tell him Darracqs are slow (compared with my | Brough). Yet I’ll accept one of the three Brooklands | T.D.’s, if he will offer me one. It would do | for a run-about, when I felt lazy & peaceful.” 

Though short, the letter is compelling. In just 164 words, Lawrence references many of the disparate, competing threads that skeined his life – complicated feelings about fame, attempted retreat to the comparative anonymity of the RAF, personal conflict about publication of his literary masterpiece, the famous 1926 subscribers’ edition, love of motorcycles, the sensibility for comradeship that made him, however reluctantly, a leader of men, and even a glimpse of the personal peace he always seemed to want but seldom seemed to find.

Eventually, we narrowed the date of the letter with reasonable certainty to between August 1925 and December 1925. It turns out that “Goslett” is Captain Raymond Goslett M.C. (1885-1961), “the supply wizard of Al Wajh and Al Aqabah,” a key figure in the Arab Revolt and wartime friend of Lawrence who inadvertently played a role in facilitating his fame. “Makins” is Arthur Dayer Makins, D.F.C., R.R.G.S., F.I.M.T. (1888-1974), a Royal Flying Corps flight lieutenant with X Flight in Arabia who after the war was associated with the motor trade. Lawrence cited both men in his acknowledgements for the 1926 subscribers’ edition of Seven Pillars and each was gifted a copy. To the American radio commentator, lecturer, author, and journalist Lowell Jackson Thomas (1892-1981), who Lawrence “Curses”, Lawrence owed the discomfort of both his fame and famous sobriquet.

Note that I keep saying “we”. The aforementioned Richard Knowles, proprietor of Rickaro Books, shared my enthusiasm. As research and contextualization unfolded this long-lost little letter, we decided it merited an essay. This in turn became an illustrated book, which we titled “A Fresh Station”, taking the title from Lawrence’s own reference to the RAF Cadet College at Cranwell – “…a fresh station, where I have no leisure after the day’s work.” Lawrence was posted to Cranwell in August 1925 and where he completed the famous 1926 “subscribers’” or “Cranwell” edition of Seven Pillars of WisdomA Fresh Station sketches Lawrence’s life writing and riding at Cranwell specifically through the prism of this newly discovered letter. 

Winston Churchill said of his friend, Lawrence:

“Lawrence had a full measure of the versatility of genius. He held one of those master keys which unlock the doors of many kinds of treasure-houses. He was a savant as well as a soldier. He was an archaeologist as well as a man of action. He was an accomplished scholar as well as an Arab partisan. He was a mechanic as well as a philosopher. His background of sombre experience and reflection only seemed to set forth more brightly the charm and gaiety of his companionship, and the generous majesty of his nature.”

These are just a few of the millions of insightful and eloquent words written both by and about Lawrence. 

So why another Lawrence book?

It may be helpful to note that *after* he wrote the definitive and widely praised official biography of Lawrence and *after* he edited and published the most complete and definitive edition of Lawrence’s magnum opus, Jeremy Wilson took on the mammoth task of attempting to gather, cogently organize and contextualize, and systematically publish all of Lawrence’s correspondence. Jeremy was still working on this task when he died in 2017, nearly three decades after he published his biography of Lawrence.

I shouldn’t presume to speak for Jeremy, but I suspect that what may have helped drive his interest in and commitment to Lawrence’s correspondence is the fact that we still don’t know who Lawrence was. Not really. “TE” as he was known to friends, remains a remarkably enigmatic figure. We investigate his character and exploits though his published works – which span the WWI Arab revolt and life inside the inter-war RAF to crusader castles and ancient Greek translation to technical manuals on high speed boats – but it may be that Lawrence’s letters offer some of the clearest views. As this letter and the enfolding essay A Fresh Station suggest, the fragmentary candor and verities of Lawrence’s correspondence may best enable us to approach the animating spirit of this singular, complex, and multi-faceted person.

A Fresh Station is another small window on Lawrence, opened by the welcome discovery of a few more of his own words.

Of a limited edition of 150 hand-numbered copies of A Fresh Station, 149 are bound by the Fine Book Bindery in quarter cloth featuring navy spine and blue-grey boards evoking RAF colours, the spine printed in silver, the front cover bearing the initials Lawrence was wont to use at the time. The illustrated contents are printed by The Logan Press on 150 gm Logan Book Wove paper and include a full facsimile of Lawrence’s letter, as well as images of Lawrence, Goslett, and Makins. 

These new, hand-numbered copies are offered exclusively HERE by Churchill Book Collector and HERE by Rickaro Books.

Copy “Number One”, signed by the authors, now houses and accompanies the original letter. “One” is specially bound by the Fine Book Bindery in blue-grey morocco (evoking the RAF) and housed in a custom cloth solander. This copy, the letter, and the accompanying copy “50” of the limited 1935 UK issue of Seven Pillars, in which this letter was found, will be offered for sale in our forthcoming print catalogue Six Degrees of Winston: Signed or inscribed books, ephemera, and correspondence by or about Winston S. Churchill, his contemporaries, and his time.

Lovely, dark and deep

Southern California’s December sends me looking for Frost. 

Here, it’s likely that the only precipitation a big winter coat will endure is sweat. And kicking palm fronds in my Tevas is just not the same as shuffling booted feet through mounds of mouldering leaves. 

But even if our woods here are never “lovely, dark and deep”, there is Robert Frost. New England provides us with culturally quintessential visions of winter. And Frost remains the elemental poetic voice of New England, baring branches with brisk, gusting whorls of ink and leaving crisp, listening silences between.

That’s why I stop by Frost’s proverbial woods this time of year. To cool the early darkness of an un-snowy San Diego evening. To crystallize the too-clement softness of waning December days. 

But this December evening I’m at the desk instead of in the reading chair. That’s because I had the good fortune to have a bit of Frost mystery to sleuth.

We recently acquired an intriguing 1915 U.S. edition of Frost’s second published book, North of Boston. The book was curious in two regards – first for the original autograph letter signed by Frost tipped onto the front free endpaper, but also for the publication history.

The publication history is the more arcane and less subtle of the two puzzles, but still impressively bibliographically byzantine. The copyright page of this copy of North of Boston features three printed lines thus:

First edition, 1914

Second edition, 1915

Third edition, 1915

The curious bit is that even bibliographers don’t seem quite in accord. Joan St. C. Crane states that the “Second American Edition” of North of Boston was published in 1919 and calls the first American edition of 1915 just that – the “First American Edition”. This obviously prohibits a “Third edition” published in 1915. W. B. Shubric Clymer and Charles R. Green designate the First American edition of 1915 as “Second American Edition”, but detail no editions thereafter. Neither bibliographic designation allows for a “Third edition” issued by Henry Holt and Company in 1915 – which is what the publisher states we have here.

The binding of this copy is the same size, material, and style as that of the first American edition printed and published by Holt in 1915. The binding is the same dark gray-blue fine linen cloth. The contents are printed on the same rough wove white paper with untrimmed fore and bottom edges. So what is this book? Here’s the story.

That Robert Lee Frost (1874-1963) became the poetic voice of New England is a bit ironic; Frost was born in San Francisco and it was a 1912 move to England with his wife and children – “the place to be poor and to write poems” – that catalyzed his recognition. A Boy’s Will was completed in England, published by David Nutt in 1913.  A convocation of critical recognition, introduction to other writers, and creative energy supported the 1914 English publication of Frost’s second book, North of Boston, after which “Frost’s reputation as a leading poet had been firmly established in England, and Henry Holt of New York had agreed to publish his books in America.”

The 1914 British first edition sheets were issued in a diverse array of bindings (designated A-F) over the course of a decade. Among these many bindings of the first edition, the one designated “B” was comprised of 150 copies in brown cloth-backed boards. These were the 1914 first appearance of North of Boston in America. This was not a separate edition, but rather just an issue of the British first edition sheets, bound with a Holt cancellans title-leaf. (see Crane A3.1.) 

The first American edition – the first edition printed in America for American publication – was published by Holt in late March 1915. This is the edition referred to on the second line of the copyright page of this copy as “Second Edition, 1915”. More accurately informative would be “First American edition, 1915”. The third line of the copyright page – “Third edition, 1915” – is just plain bibliographically incorrect. This copy is accurately described as the second printing of the first American edition, which given the print history on the copyright page, was issued the same year as the first printing. The actual third edition – an illustrated edition in an entirely different binding and limited to five hundred copies – was not published by Henry Holt until 1919.

So, small mystery solved. Amusingly, the folks who printed the book were wrong and this is the First American edition, second printing, of 1915 rather than “Third edition, 1915”. 

Now the more interesting bit – the letter. The letter, written entirely in Frost’s hand in black ink, filling both sides of a single sheet of blank stationery twice folded and tipped onto the front free endpaper recto, reads:

Amherst Mass | April 28 1924 | Dear Mr McCord: | You were kept | from ever sending me your | Transcript article by what I | said about wanting to live in a | fools paradise. You shouldn’t | have taken me quite so at | my word. All I meant was I | hated to be too feelingly |persuaded what I was. | I have just ordered you | from Ward a couple of | photographs to choose between. | Perhaps they had better come| round by way of me for my | autograph. | Your wanting my picture | is very friendly and shows | you must have forgiven me | any sins. If I spoke too | warily that night instead of | jumping at your article with | thanks it was because you | caught me at a moment when | I was oversensitive from just | having been too public| Sincerely yours | Robert Frost.

At the upper right corner of the front free endpaper to which the letter is affixed, the subject “Mr McCord” did us the favor of leaving the only other previous ownership mark in the book – “David McCord | Cambridge, | May 13, 1926.”

Armed with this information, we did our usual homework. From the letter’s salutation and previous ownership name, city, and date, we are able to confirm a substantial association.

David Thompson Watson McCord (1897-1997) was just 26 years old when the 50-year-old Frost wrote him this letter. A poet himself, McCord had graduated in the Harvard class of 1921 and earned his master’s in chemistry there the following year. For 38 years he was director of the Harvard Fund, retiring in 1963 – the year Robert Frost died. McCord became and remained a personal – and valuable – friend to Frost. 

As for Frost, a move led McCord to his poetic voice; when he was twelve, he moved from New Jersey to Oregon to live on a remote farm with his uncle. “It was there, on the edge of the wilderness, that he began to learn to write.” (Mike Pride: A forgotten review of Robert Frost’s ‘New Hampshire’)

In 1938 McCord proposed that Harvard Press publish a collection of poetry edited by Frost. The book was negotiated and a contract was signed but Frost never produced the volume, likely due to personal tragedy; Frost’s wife, Elinor, died in 1938, and McCord served as one of her pall bearers. McCord continued to champion the elder poet; he chaired the committee that established the Emerson-Thoreau Medal which was bestowed on its first recipient, Robert Frost, in 1958. And in 1962 McCord played a critical part in Harvard’s role in the resolution conferring the Congressional Gold Medal on Frost. Harvard honored the achievements of McCord with the award of its first honorary degree of Doctor of Humane Letters in 1956. He was also the recipient of the first National Council of Teachers of English Award for Excellence in Poetry for Children, a Guggenheim Fellowship, and a National Institute of Arts and Letters grant. These accompanied a collection of honorary doctorates from 22 universities. McCord authored and edited more than 50 books and more than 500 children’s poems over his long life.

From the letter, it is reasonably easy to infer that at some public event the younger poet offered some bit of writing he wanted the older to read. Frost apparently declined, peremptorily and with some glib remark, which he later regretted. Consequently, he wrote McCord to mend fences, offering both apology, an explanation, and a signed photograph.

That was certainly enough information to figure that we’d never know exactly what McCord offered Frost and we had discovered enough to narratively frame both book and letter – which is really the extent of our job as booksellers.

But something about the letter insisted, branch tips gently tapping a winter windowpane. What I heard was “Pay attention” and “Look again.”

There was the capitalized “T” in “Transcript in the third line of the letter, preceding the word “article”. There was also the interesting reference to “what I said about liking to live in a fools paradise.” And there was the timing. 

Frost published New Hampshire, a Poem with Notes and Grace Notes in mid-November 1923. March and April 1924 found the poet lecturing in places like Chicago, Fort Wayne, Terre Haute, Indianapolis, and Richmond (Indiana). The lecture schedule may contextualize Frost’s closing explanation to McCord: “You caught me at a moment when I was oversensitive from having just been too public.

In early 1924, Frost was read and regarded, but his fame was still new and not yet fully fledged. But on 12 May 1924, two weeks after this letter was written, it was announced that Frost had been awarded the Pulitzer. It was only the third Pulitzer awarded for poetry and the first of an eventual four Frost would receive (1931, 1937, and 1943). 

It turns out that a young Harvard chemist named David McCord wrote a review of New Hampshire. That review was published in the Boston Evening Transcript on 8 December 1923. Undoubtedly, it was this article which McCord had offered to Frost to read. The “fools paradise” comment of course refers to Shakespeare’s phrase, encapsulating a state of contentment based on ignorance or false hope. This must have been the phrase Frost used when he dismissively refused McCord’s offer of his review. 

Thankfully, McCord’s review is not lost to history; it is currently published on the Pulitzer website. It is both insightful and urbane.  And it is decisively complimentary of Frost. 

Of the book, McCord wrote:

Perhaps the subtitle is misleading. The “notes” are nothing less than poems of moderate length, each fastening a vital tendril upon individual lines or parts of the central poem, and the “grace notes,” which will be the first read and the most admired, are brief lyrics, small shatter fragments of clear beauty, the not too remote supplements of their larger-bodied brothers.

Of the poet himself, McCord wrote:

It becomes more and more apparent that Robert Frost is New England’s most authentic poet, and by authentic poet we mean the most sincere, foursquare and forthright who has tried to lay a finger on the slow and positive pulse of the New England north of Boston and sound the secret of its heart… In his creative mood we may think of him as leaning across a stone wall in the hush of a summer afternoon and talking intimate-fashion… with almost everything that Robert Frost has done one shuffles through the autumn leaves upon a lonely road – and enjoys it immensely.         

We can only assume that, subsequently to snubbing McCord, Frost read the review and, having done so, was chagrined and reached out to McCord.

If this was not the first correspondence of the two men, it was certainly quite early in their relationship. 

Frost spent his final decade and a half as “the most highly esteemed American poet of the twentieth century” with a host of academic and civic honors to his credit. Two years before his death he became the first poet to read in the program of a U.S. Presidential inauguration (Kennedy, January 1961).Two years before McCord’s death at the age of 99, in 1995 The Boston Globe published an article titled “The Forgotten Poet” about McCord’s lonely wait in a nursing home, “crumpled in a wheelchair, one of the great writers of children’s verse in 20th century America… living his final days in obscurity.” 

There are indeed many kinds of winter, some less harsh than others.

Wishing you the blessings of the season. Whether you are blanketed in snow or bathed in sun, may this December find you in the company of good people and good books.

(Please) Don’t!

So today we’re writing about a don’t. Something we don’t do, something we hope you don’t do either, and things we *really* wish others hadn’t done.

The unifying theme is stewardship. You may have heard me cheekily assert that, even when you pay us a lot of money for a precious item, you don’t own it. 

Yep. That’s right. As a professional bookseller I’m asking you to pay lots of money for precious objects and then telling you that you don’t own what you bought.

Perhaps I should clarify before I hear from your attorney. I encourage you not to regard such things as if you own them. I respectfully suggest that your job as a discerning collector is to make sure your collection outlives you and your custody thereof. Relish, of course. Covet, obsess and even, if you must, brag a little. But foremost serve as a diligent and conscientious custodian. Take care to preserve what is in your custody. And make sensible provisions to ensure that your charges find a successor custodian with commitment and sensibility equal to your own.

Stewardship informs our don’ts.

Beyond the fairly straightforward considerations of preservation (see our How to Protect Your Collection post), if we can prosthelytize one prime directive, this is it:

Don’t write in the book unless you wrote the book!

Why? Because it’s not about you.

The Story of the Malakand Field Force… and Who?

Some years ago, we were delighted to discover a first edition, first state of Churchill’s first published book not only in exceptional condition, not only signed by Churchill, but with provenance indicating that it was signed during his first American lecture tour. It had remained in the same family until acquired by the collector from whom we, in turn, acquired it. 

The book was just gorgeous inside and out in all but one respect. The most recent owner had pasted his own bookplate on the verso of the signed page. A modern bookplate, composed of non-archival paper and ink, and affixed with non-archival adhesive. This gracious, kind, otherwise decent gentleman had defaced something that had miraculously survived over 100 years, virtually unscathed. I couldn’t help asking him: “Why?” He paused before he replied “Well, I thought people might want to know who owned it before.” 

The man has since died. He was uncommonly courteous and urbane and I genuinely enjoyed his company – as I expect did many who knew him. And he loved books. Nonetheless, this book left his stewardship poorer than it entered. Assuming the good offices of the current and future stewards, I expect the only question the bookplate will prompt in the future years is “Who was this guy?” Followed swifty by “Why the F@%$ …?

There’s worse.  Much worse.


India is one of Churchill’s more scarce and obscure works of his 1930s wilderness years. Hardcover issues of the two printings of the first edition are scarcer still. Positively rare – even extravagantly rare – are signed or inscribed copies.

So imagine our delight at discovering a hardcover first edition, second and final printing inscribed by Churchill within weeks of publication to James Craig, 1st Viscount Craigavon of Stormont and first Prime Minister of Northern Ireland. Not just signed, but inscribed and dated.  Not just inscribed and dated, but an important association. And not just any association but one splendidly charged with irony given the book in question. Churchill vigorously opposed Indian independence on the grounds that it would unleash the destructive potential of religious strife, lead to bitter partition and disputed borders, and unleash sectarian violence. Churchill came to support Irish Home Rule – which entailed both a bitter partition and fueled the ensuing better part of a century of sectarian violence and territorial disputes. James Craig was a vehement opponent of Irish independence, though he became the first Prime Minister for Northern Ireland and worked – closely with Churchill – to ensure the viability and perpetuation of a self-governing Northern Ireland.

Wow, right?

Here’s the rub.  One of the “stewards” of this book had been a former mayor of Beverly Hills. In a noteworthy act of vandalism, our mayor inked inked “Hugh W. Darling | From H.S.D.” one inch below Churchill’s gift inscription. “H.S.D.” is presumably Darling’s wife, Hazel, from whom Darling ostensibly received the book as a gift. This one might possibly be persuaded to pardon as the misplaced gratitude of a spouse.

Alas, Good Mayor Hypergraphia doubled down on the stupid, using the book as a reading copy in the late 1960s. Twice. Which we know because he dated each reading. On the inscribed page. And underlined liberally throughout at each reading in red and blue colored pencil. 


You doubtless do not recognize the mayor’s name.  Which, I suppose, is precisely the point. We just wish someone had told him “It’s not about you!” – and maybe bought his-and-hers coloring books for the couple instead.

One might, of course, cite clever exceptions to our “Don’t write in the book unless you wrote the book” rule. If Alexander wanted to scribble on the scrolls of his tutor, Aristotle, and if we were lucky enough to inherit same, we wouldn’t complain. Likewise, nobody is bemoaning the recent discovery that a surviving Shakespeare First Folio bears John Milton’s annotations. You might even counter in less rarified fashion that archaeologists now take keen interest in Roman graffiti.

OK, fine. If you conquer the known world or pen Paradise Lost, then you can scribble away in your Gutenberg Bible. When you are 2000 plus years old, you can write graffiti on whatever you want. Until and unless, please, please don’t.

As any dog will show you, this urge to mark can be compelling.

“But it’s only pencil” you might say. Yes, but even erasing pencil can cause abrasion, loss, and tears.

“But I want to read it” you might say. Well, of course! So get a less precious reading copy and read it as many times as you want, annotating all the way. 

I’ve read Hobbes’ translation of Thucydides several times since my early twenties. I cannot imagine reading it without annotating as I go. But my annotated copies are sufficiently humble in historical importance to be precious to nobody but me.

Calvin and Hobbes, Library

Every time you merely open a book, you kill it just a little. Books are a tenuous combination of perishable materials and discordant chemistry – paper and glue and string and cloth, material animal, vegetable, synthetic, or all three. The constituent elements of books court entropy and conspire to decohere almost from the moment they are bound together. As are the thoughts and sentiments that fill it, a book is a small miracle of ephemeral sentient alignment. For most books, their purpose is fulfilled in being read and wrecked. 

But for the very few… Collectible books become a precious, lingering signal amid the static with the sole, fragile, lovely purpose of being regarded. The magic of rare books and ephemera is that often the longer they endure, the better they are regarded. 

Protect and pass them on.