A legion of signatures

Imagine a book so rich in signatures that Winston Churchill’s autograph is barely of note.

Q:        What would it take to secure the signatures of 85 leading lights in British literature and the arts, as well as four prime ministers, in a single volume?

A:         It took a World War and a future King of England.

The First World War is often eclipsed by the conflagrations of the latter part of the twentieth century, notably the Second World War and Cold War.  But it was the First World War that truly stunned civilization, ushering an age of inconceivable carnage and industrialized brutality.  When war came in August 1914, prevailing sentiment held that the conflict would be decisive and short.  “You will be home before the leaves have fallen from the trees,” Kaiser Wilhelm assured his troops leaving for the front.  More than four extraordinarily bloody years followed, lasting until the eleventh hour of the eleventh day of the eleventh month of 1918.  In his own history of WWI, Winston Churchill wrote: “Overwhelming populations, unlimited resources, measureless sacrifice… could not prevail for fifty months…”

The British Empire alone suffered more than 900,000 dead and two million wounded.  At the end of WWI, the pension for a totally disabled man was only 30 shillings a week and no claim could be made seven years after discharge.  In May 1921 several ex-servicemen’s organizations were amalgamated to form the Royal British Legion.  Thereafter, the Legion actively involved itself with employment and pensions for both able and disabled ex-servicemen or their dependents.

The Legion Book was commissioned by the Legion’s patron, H.R.H. The Prince of Wales (later Edward VIII and, after abdication, the Duke of Windsor).  Sale proceeds were dedicated to the Legion.  The dozens of contributing artists and writers were among the most talented British subjects in their fields, including Winston Churchill, Rudyard Kipling, P.G. Wodehouse, Aldous Huxley, Vita Sackville-West, G.K. Chesterton, Hilaire Belloc, Augustus John, Eric Kennington, and John Nash. The book was edited by James Humphrey Cotton Minchin (1894-1966), a WWI veteran of the Cameronians and the Royal Flying Corps.  Trade editions ran to multiple printings.  There was also a 600 copy limited edition.  500 of these were signed by the editor and bound similarly to trade editions.  But “the first 100 were reserved for H.R.H. the Prince of Wales, sponsor of the volume, in his gift.”

These hundred were simply magnificent – printed in red and black by The Curwen Press on larger, hand-made paper, profusely illustrated, extravagantly bound in elaborate blind and gilt-tooled white pigskin.  Massive volumes, they measure 13 x 10 x 2 inches and weigh 6.6 pounds. Each copy was hand-numbered.

As impressive as the aesthetics are, more impressive still are the signatures.  These 100 magnificently bound copies were signed by a simply remarkable list of 85 writers and illustrators, as well as four prime ministers (three British Prime Ministers – David Lloyd George, Stanley Baldwin, and Ramsay MacDonald – and French Prime Minister Georges Clemenceau), and H.R.H. The Prince of Wales.  The tally is five prime ministers if you count Churchill, who signed as a contributor, but became prime minister in 1940.

So many are the signatures that they span 8 pages.  As stated at the end of the contents: “There are five pages of contributors’ signatures following the Dedication, one page opposite Collotype No. 3 and one page opposite Collotype No. 20.”  The Prince of Wales signed on the blank verso of the Dedication.

The list of signatures includes the following:

Winifred Austen

Prime Minister Stanley Baldwin

Edward Bawden

Max Beerbohn

Hilaire Belloc

Arnold Bennett

Reginald Berkeley

Laurence Binyon

Edmund Blunden

Muirhead Bone

Robert Bridges

Arthur Briscoe

Sir D. Y. Cameron

Bliss Carman

K. Chesterton

Winston S. Churchill

Sir George Clausen

Prime Minister Georges Clemenceau

Sir Arthur Cope

E. Coppard

Edward Gordon Craig

Hamilton Crawford

Eric Fitch Daglish

H. Davies

Walter de la Mare

John Drinkwater

H.R.H. The Prince of Wales (later Edward VIII and, after abdication, the Duke of Windsor)

Jacob Epstein

J.R.G. Exley

John Galsworthy

David Garnett

Mark Gertler

Eric Gill

Stephen Gooden

Lee Hankey

Aldous Huxley

Storm Jameson

Augustus John

Sheila Kaye-Smith

Margaret Kennedy

Eric Kennington

Rudyard Kipling

Dame Laura Knight

Charles Lamb

Sir John Lavery

K. Lawrence

Clare Leighton

Sir William Llewellyn

Prime Minister David Lloyd George

David Low

Prime Minister Ramsay MacDonald

James McBey

C. McNeile

Sarah Gertrude Millin

Gilbert Murray

John Nash

Paul Nash

Henry Newbolt

William Nicholson

Sir William Orpen

Sir Bernard Partridge

Poy

Charles Ricketts

Eric Rivilious

David Robertson

Heath Robinson

William Rothenstein

Albert Rutherston

Vita Sackville-West

Randolph Schwabe

Eric A. Shepherd

Sir Frank Short

Edith Sitwell

Snaffles

Sir Stanley Spencer

C. Squire

W. Steer

Strube

F. Tennyson Jesse

Henry Tonks

Edward Wadsworth

William Walcot

Edger Wallace

Hugh Walpole

Rebecca West

G. Wodehouse

Humbert Wolfe

We will soon be pleased to offer an unusually fine example, copy “68”, hand-numbered thus on the limitation page.  The binding and contents are nearly flawless.

Superlative condition owes to the presence of the original felt-lined cloth clamshell case, with a discreet, inked “No.68” on the upper front cover.

Laid in the case is an original description of this book by noted New York bookseller Philip C. Duschnes, who died in 1970.  His tiny gilt sticker is affixed to the lower rear pastedown.

This is another installment in our preview of hoarded treasures being reserved for our forthcoming “Extra Ink” catalogue.  Expect the catalogue in  final weeks of 2018.  During the coming months our blog posts will provide a sneak peek at some of the catalogue items!

“How Lucky I was…”

This is another installment in our preview of hoarded treasures being reserved for our forthcoming “Extra Ink” catalogue.  Expect the catalogue late in 2018.  During the coming months our blog posts will give you a sneak peek at some of the catalogue items.

Today, a first trade edition of Seven Pillars of Wisdomrendered special by a poignant inscription by Eric Kennington, the man who created thirty-one of the illustrations within its pages.  Inked in blue in four lines on the half title, Kennington wrote: “How lucky I was to meet | & know this man for 14 years | Eric Kennington | August 1954”.

A gift inscription “For Phyllis” dated “Christmas 1935” is inked on the front free endpaper above the illustrated book plate of “PM Jackson”.

A five-line inked notation on the front free endpaper verso that appears to be signed by Christopher Kennington (Eric Kennington’s son) reads: “Phyllis Jackson gave this book to | her brother, Francis Jackson. | On his death in 1980, his son Richard | gave it to me.”

Eric Henri Kennington (1888-1960) was known as a painter, print maker, and sculptor and, most notably, as “a born painter of the nameless heroes of the rank and file” whom he portrayed during both the First and Second World War.

Badly wounded on the Western Front in 1915, during his convalescence he produced The Kensingtons at Laventie, a portrait of a group of infantrymen. When exhibited in the spring of 1916 its portrayal of exhausted soldiers created a sensation. Kennington finished the war employed as a war artist by the Ministry of Information. After the war, he met T. E. Lawrence at an exhibition of Kennington’s war art.

In 1921, Kennington traveled to the Middle East with Lawrence where, Lawrence approvingly wrote of his work, “instinctively he drew the men of the desert.” Kennington served as art editor for Lawrence’s legendary 1926 Subscribers’ Edition of Seven Pillars of Wisdomand produced many of the drawings therein.

That same year he produced a bust of Lawrence – an image of which is the frontispiece of this book.  On 15 February 1927, Lawrence wrote to Kennington praising the bust as “magnificent”. Lawrence said “It represents not me, but my top-moments, those few seconds in which I succeed in thinking myself right out of things.”  In 1935, Kennington served as one of Lawrence’s pallbearers.

In 1936 his second, memorial bust of Lawrence was installed in the crypt of St. Paul’s Cathedral.  Kennington was again an official war artist for the British government during the Second World War (Ministry of Information and Air Ministry), producing a large number of portraits of individual soldiers in addition to military scenes.  Kennington died a member of the Royal Academy six years after writing the inscription in this book.

Seven Pillars of Wisdom, with which Kennington became integrally linked, is the story of T. E. Lawrence’s (1888-1935) remarkable odyssey as instigator, organizer, hero, and tragic figure of the Arab revolt against the Ottoman Empire during the First World War, which he began as an eccentric junior intelligence officer and ended as “Lawrence of Arabia.” This time defined Lawrence with indelible experience and celebrity which he would spend the rest of his famously short life struggling to reconcile and reject, to recount and repress.  Kennington first produced illustrations for the 1926 “Subscribers’ Edition” of which fewer than 200 complete copies were produced.

Another of Lawrence’s friends, Winston Churchill, wrote: “It ranks with the greatest books ever written in the English language.  If Lawrence had never done anything except write this book as a mere work of the imagination his fame would last… But it is fact, not fiction… An epic, a prodigy, a tale of torment, and in the heart of it – A Man.”

It was only in the summer of 1935, in the weeks following Lawrence’s death, that the text of the Subscribers’ Edition text was finally published for circulation to the general public in the form of a British first trade edition. This copy inscribed by Kennington is the first printing of this British first trade edition. Condition is good, showing the aesthetic flaws of age and wear, but sound.  The khaki cloth binding is square and tight with wear to extremities, overall soiling and staining, and considerable scuffing to the rear cover. The contents are clean with toning to the page edges.  A tiny Colchester bookseller sticker is affixed to the lower rear pastedown.

Look for this and dozens of other signed or inscribed items in our “Extra Ink” catalogue late in 2018!